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Gino Bechi, baritone RAI Orchestra and Chorus, Bruno Rigacci, cond. JBLP 0026 Maria Callas in Paris: Great Arias from French Opera. D'Oyly Carte Opera Company, with the New Promenade Orchestra, Isidore Godfrey, cond.
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JBLP 0024 Gilbert and Sullivan, Trial by Jury. Jessye Norman, soprano Nicolai Gedda, tenor Tom Krause, bass Bavarian Radio Chorus and Orchestra, Serge Baudo, cond. Edda Moser, soprano Nicolai Gedda, tenor, Kurt Moll, bass Chor und Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch, cond. Label text includes: "Private Record Not for Sale." Rose Bampton, soprano Leonard Warren, bass orchestra and chorus conducted by Ettore Panizza. Paris Conservatory Orchestra, Anatole Fistoulari, cond.
Jessye Norman, soprano orchestra and chorus conducted by Riccardo Muti. Luigi Alva, tenor Suzanne Danco, soprano orchestra and chorus conducted by Nino Sanzogno. Birgit Nilsson, soprano Placido Domingo, tenor Hermann Prey, baritone Bavarian Radio Chorus and Orchestra, Rafael Kubelik, cond.
Boston Symphony Orchestra, Pierre Monteux, cond. Marianne Häggander, soprano RIAS Orchestra, Mario Venzago, cond. JBLP 0015 Sibelius, The Maid in the Tower Beethoven, Vestas Feuer. Tatiana Tugarinova, soprano Aleksei Korolyev, bass Moscow Radio Chorus and Orchestra, Yevgeny Svetlanov, cond. Sadler's Wells Theatre Production, Alexander Faris, cond. JBLP 0013 Offenbach, Orpheus in the Underworld. English highlights. Maria Callas, soprano Giuseppe di Stefano, tenor Orchestra and Chorus of the Teatro alla Scala, Tullio Serafin, cond. JBLP 0012 Mascagni, Cavalleria Rusticana Leoncavallo, Pagliacci. Lothar Körner, Lea Piltti, Irma Beilke Orchester und Chor des Reichsender Berlin, Heinrich Steiner, cond. JBLP 0011 Mozart, Die Entführung aus dem Serail. Jules Bastin, bass orchestra and chorus conducted by Bruno Amaducci. Vienna Symphony Orchestra, Rudolph Moralt, cond.
JBLP 0009 Gluck, Pantomime Ballet "Don Juan." 1 LP. Jean-Pierre Rampal, flute Robert Veyron-Lacroix, harpsichord. Works by Quantz, Hasse, Frederick the Great, Naudot, Chedeville, Boismortier. JBLP 0008 The Flute at the Courts of Frederick the Great & Louis XV. Maureen Forrester, contralto Richard Lewis, tenor Chicago Symphony Orchestra, Fritz Reiner, cond. JBLP 0007 Mahler, Das Lied von der Erde Haydn, Symphony no. Vocal and Instrumental Ensemble Roger Blanchard. JBLP 0006 Des Prés, Missa "Hercules dux Ferrariae" Okeghem, Motets.
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Elisabeth Roon, soprano Otto Wiener, bass Akademiechor and Pro Musica Orchestra of Vienna, Hans Swarowsky, cond. Anthony Singers and Philomusica of London, Adrian Boult, cond. Joan Sutherland, soprano Peter Pears, tenor St. Victoria de los Angeles, soprano Nicolai Gedda, tenor Boris Christoff, bass Orchestra and Chorus of the Théâtre National de l'Opéra, André Cluytens, cond. Elisabeth Schwarzkopf, soprano Nicolai Gedda, tenor Hermann Prey, baritone Philharmonia Orchestra and Chorus, Erich Leinsdorf, cond. JBLP 0002 Cornelius, The Barber of Bagdad. Boris Christoff, bass Orchestra and Chorus of the National Theatre Opera of Sofia, Jersy Semkow, cond.
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The principal archive of his papers is the Columbia University Rare Book and Manuscript Library. Among his forty books are biographical-critical studies of William James and Hector Berlioz, several volumes of literary and cultural criticism, translations, and the 900-page summa and best-seller From Dawn to Decadence: 500 Years of Western Cultural Life: 1500 to the Present. From 1975 to 1993 he was Literary Adviser to Charles Scribner's Sons. He taught at Columbia until his retirement in 1975, having also for a decade been Dean of Faculties and Provost. The recordings are catalogued numerically, JBLP 0001 to JBLP 0681.īorn in France on November 30, 1907, critic-historian Jacques Barzun came to the United States in 1920 and received his B.A., M.A., and Ph.D. Also of interest are a number of private recordings, e.g., a recording of Strauss's Daphne made in 1948 for soprano Rose Bampton and a 1924 recording of Gilbert and Sullivan's Ruddigore with George Baker, baritone, and Elsie Griffin, soprano. Barzun's 2-volume Berlioz and the Romantic Century, published in 1950, is still considered a definitive study of the composer the collection contains a large number of Berlioz performances that Barzun thought particularly good. The collection was given by him to the Library in August 2009. The collection consists of 681 recordings - mainly vinyl LPs - of music of many styles and genres that the cultural historian Jacques Barzun collected for his personal use from c.
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